2020
Gravesite with the new epitaph
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 2020, Theo Noll
2020
Final decision in the arrangement of the individual reliefs, bronze casting still untreated.
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 03. Jun 2020, Theo Noll
2020
Final decision in the arrangement of the individual reliefs, bronze casting still untreated.
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 03. Jun 2020, Theo Noll
2020
Bronze casting still untreated, detail of the relief of Sankt Sebald
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 03. Jun 2020, Theo Noll
2020
Final decision in the arrangement of the individual reliefs or of palette and brush, bronze casting still untreated.
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 03. Jun 2020, Theo Noll
2020
Mounting the reliefs on the base plate
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Mounting the reliefs on the base plate
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
General view from above
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Gravesite, condition October 2018.
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 2018, Theo Noll
2020
Gravesite, condition 03.06.2020 after restoration of the gravestone. In addition, the stone was stabilised and raised by a sandstone slab.
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 03. Jun 2020, Theo Noll
2020
before - after / October 2018 and November 2020
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 2020, Theo Noll
2020
Oblique view of the "Petersburg Hanging"
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Portrait image of Paul Ritter
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Detail from Paul Ritter's painting "The Bringing in of the Imperial Regalia
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Comparison of details from "The Bringing in of the Imperial Regalia", left painting detail, right framed detail on the epitaph
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 2020, Theo Noll
2020
Weinstadel with Hangman's Bridge
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Artwork of a watercolour by Paul Ritter for a framed motif on the epitaph
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 2020, Theo Noll
2020
Beautiful fountain after a design by Paul Ritter from the GNM's Graphic Arts Collection
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Saint Sebald based on a pencil drawing of the Sebaldus Altar in Schwäbisch Gmünd
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
left Sebaldus altar in Schwäbisch Gmünd, right framed detail on the epitaph
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 2020, Theo Noll
2020
Motif: Church of Our Lady in Nuremberg
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Johannis Cemetery with Holzschuher Chapel
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Painter's palette with "Signs as colours" (here still in the workshop) Johannis cemetery with Holzschuher chapel
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nürnberg, Johannisfriedhof, Grabnummer I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 23. Jun 2020, Theo Noll
2020
Inauguration of the new Paul Ritter epitaph
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 07. Jul 2020, Theo Noll
2020
Inauguration of the new Paul Ritter epitaph
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 07. Jul 2020, Theo Noll
2020
Paul Ritter in his studio and detailed view of the epitaph
The basic idea for the epitaph includes a picture wall with seven representa
(behind them are works by Ritter as well as his likeness) in the arrangement of a Petersburg hanging, which was realised in the form of individual bronze reliefs. In this way, Ritter's studio or living situation from his time, as known from photographs, was taken up. By reproducing selected works by Ritter, the cityscape of Nuremberg, which the artist himself held in such high esteem, as well as the city's history are to be honoured.
The lettering "Paul Ritter" is also reproduced in a shaped palette in the deaf alphabet.
see also:
- Report No. 12 of the Förderverein Kulturhistorisches Museum Nürnberg e.V. / April 2021).
- www.foerderverein-khm-nuernberg.de/projekte/epitaph-paul-ritter
- Nuremberg Old Town Reports (Altstadtfreunde) Volume 45/2020 (p.77 - 103)
Location: Nuremberg, Johannisfriedhof, grave number I E 145
Design: Haydn, Thomas
Realization: Haydn, Thomas
Depicted: Ritter, Johann Paul d.Ä.
Material: Bronze
photo 2020, Theo Noll
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