Farewell scene of Gustav Adolf and his entourage
Farewell scene of Gustav Adolf and his entourage
1898
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Rosette of the Lorenzkirche and walkway with tracery balustrade above the main portal
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Tympanum
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Main portal with the farewell scene
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Left lower edge with shop and Paul Ritter (?) who enters the scene from the left.
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Main scene in front of the portal
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Opened portal with a crowd of people, in the foreground the Protestant clergy
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Farewell to Gustavus Adolphus, who is on the move
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Detail with entourage and spectators, artist's signature at lower right
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Walkway with tracery parapet above the main portal with Swedish (?) flag
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
Farewell scene of Gustav Adolf and his entourage
1898
Walkway with tracery parapet above the main portal with flag
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
The doors are still the Renaissance doors that were removed by Heideloff in the 1930s.
The shop attached to the church and the Swedish and Nuremberg flags flying from the gallery above the main portal add to the picturesque effect of the whole. In this way, colourful accents are set on the grey stone tone of the façade.
The tracery parapet shown here above the main portal, designed by Heideloff, was removed in 1915.
Client of the painting: probably wholesaler Hans Hopf.
see also: Silke Colditz-Heusl, Paul Ritter and the Cultural-Historical Cityscape of Nuremberg in the Late 19th Century
The Nuremberg Lorenzkirche with Gustav Adolf bidding farewell to the Protestant clergy at the portal in 1632.
Location: private
Design: Ritter, Johann Paul d.Ä.
Realization: Ritter, Johann Paul d.Ä.
Material: Oil on canvas
photo 2020, Theo Noll
