(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)

(Adorazione dei Magi)

The painting was probably commissioned by the Saxon Elector Frederic the Wise (1486 - 1525) for the chapel at the Wittenberg castle. Completed by Dürer after his first visit to Italy (1494 - 1495), the pannel examplifies the fusion of Northern attention to detail, a typical Italian perspective, and a color sense influenced by the Venetian painting of Mantegna and Giovanni Bellini. It has been in the Uffizi since 1793, following an exchange with the Imperial Gallery in Vienna.

(Information board of the Uffizi)