The plaque that is now in St. Sebald is vaguely attributed to the Nuremberg artist Georg Gärtner the Elder. Attributed to J. (1577–1654)1. It was probably created in 1620 as a replacement for the original Holzschuher Lamentation, which was then sold to the Nuremberg merchant Martin Peller. (...) In a manuscript by Wilhelm Kress von Kressenstein (1625), first published in 1877, it is mentioned that a copy was made "in 1622" when Holzschuher's Lamentation was sold to Martin Peller 2. (...) _______________________ 1 See Fedja Anzelewsky: Albrecht Dürer. The painterly work. Berlin 1971, p. 286. - In 2000, the Steinraths mistakenly attempted to identify the Sebalder panel as the first of the “Holzschuher Lamentation” by Dürer, while the painting in the Germanic National Museum was a copy made after 1520. See Felix J. F. Steinraths: Albrecht Dürer's memorial plaques from around 1500, Holzschuher epitaph - Glimm'sche Lamentation - Paumgartner Altar, state of research and open questions (Ars faciendi, vol. 9). Frankfurt am Main 2000, p. XVIII, p. 13, pp. 27–37 2 Hans Wilhelm Kreß von Kressenstein on Dürer [Author abbreviation: JEW]. In: Art Chronicle. Supplement to the magazine for fine arts, issue 1, 1877, columns 21–23. – F. Anzelewsky (note 3), p. 286. quoted from: The authorship and dating of the “Holzschuher Lamentation” by Albrecht Dürer and its relation to the panel with the same motif in Saint Sebald

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The plaque that is now in St. Sebald is vaguely attributed to the Nuremberg artist Georg Gärtner the Elder. Attributed to J. (1577–1654)1. It was probably created in 1620 as a replacement for the original Holzschuher Lamentation, which was then sold to the Nuremberg merchant Martin Peller. (...) In a manuscript by Wilhelm Kress von Kressenstein (1625), first published in 1877, it is mentioned that a copy was made "in 1622" when Holzschuher's Lamentation was sold to Martin Peller 2. (...) _______________________ 1 See Fedja Anzelewsky: Albrecht Dürer. The painterly work. Berlin 1971, p. 286. - In 2000, the Steinraths mistakenly attempted to identify the Sebalder panel as the first of the “Holzschuher Lamentation” by Dürer, while the painting in the Germanic National Museum was a copy made after 1520. See Felix J. F. Steinraths: Albrecht Dürer's memorial plaques from around 1500, Holzschuher epitaph - Glimm'sche Lamentation - Paumgartner Altar, state of research and open questions (Ars faciendi, vol. 9). Frankfurt am Main 2000, p. XVIII, p. 13, pp. 27–37 2 Hans Wilhelm Kreß von Kressenstein on Dürer [Author abbreviation: JEW]. In: Art Chronicle. Supplement to the magazine for fine arts, issue 1, 1877, columns 21–23. – F. Anzelewsky (note 3), p. 286. quoted from: The authorship and dating of the “Holzschuher Lamentation” by Albrecht Dürer and its relation to the panel with the same motif in Saint Sebald

Anne Fritschka, 2009​Feedback gebenSeitenleisten

The plaque that is now in St. Sebald is vaguely attributed to the Nuremberg artist Georg Gärtner the Elder. Attributed to J. (1577–1654)1. It was probably created in 1620 as a replacement for the original Holzschuher Lamentation, which was then sold to the Nuremberg merchant Martin Peller. (...) In a manuscript by Wilhelm Kress von Kressenstein (1625), first published in 1877, it is mentioned that a copy was made "in 1622" when Holzschuher's Lamentation was sold to Martin Peller 2. (...) _______________________ 1 See Fedja Anzelewsky: Albrecht Dürer. The painterly work. Berlin 1971, p. 286. - In 2000, the Steinraths mistakenly attempted to identify the Sebalder panel as the first of the “Holzschuher Lamentation” by Dürer, while the painting in the Germanic National Museum was a copy made after 1520. See Felix J. F. Steinraths: Albrecht Dürer's memorial plaques from around 1500, Holzschuher epitaph - Glimm'sche Lamentation - Paumgartner Altar, state of research and open questions (Ars faciendi, vol. 9). Frankfurt am Main 2000, p. XVIII, p. 13, pp. 27–37 2 Hans Wilhelm Kreß von Kressenstein on Dürer [Author abbreviation: JEW]. In: Art Chronicle. Supplement to the magazine for fine arts, issue 1, 1877, columns 21–23. – F. Anzelewsky (note 3), p. 286. quoted from: The authorship and dating of the “Holzschuher Lamentation” by Albrecht Dürer and its relation to the panel with the same motif in Saint Sebald

Anne Fritschka, 2009​Feedback gebenSeitenleisten

The plaque that is now in St. Sebald is vaguely attributed to the Nuremberg artist Georg Gärtner the Elder. Attributed to J. (1577–1654)1. It was probably created in 1620 as a replacement for the original Holzschuher Lamentation, which was then sold to the Nuremberg merchant Martin Peller. (...) In a manuscript by Wilhelm Kress von Kressenstein (1625), first published in 1877, it is mentioned that a copy was made "in 1622" when Holzschuher's Lamentation was sold to Martin Peller 2. (...) _______________________ 1 See Fedja Anzelewsky: Albrecht Dürer. The painterly work. Berlin 1971, p. 286. - In 2000, the Steinraths mistakenly attempted to identify the Sebalder panel as the first of the “Holzschuher Lamentation” by Dürer, while the painting in the Germanic National Museum was a copy made after 1520. See Felix J. F. Steinraths: Albrecht Dürer's memorial plaques from around 1500, Holzschuher epitaph - Glimm'sche Lamentation - Paumgartner Altar, state of research and open questions (Ars faciendi, vol. 9). Frankfurt am Main 2000, p. XVIII, p. 13, pp. 27–37 2 Hans Wilhelm Kreß von Kressenstein on Dürer [Author abbreviation: JEW]. In: Art Chronicle. Supplement to the magazine for fine arts, issue 1, 1877, columns 21–23. – F. Anzelewsky (note 3), p. 286. quoted from: The authorship and dating of the “Holzschuher Lamentation” by Albrecht Dürer and its relation to the panel with the same motif in Saint Sebald

Anne Fritschka, 2009​Feedback gebenSeitenleisten

The plaque that is now in St. Sebald is vaguely attributed to the Nuremberg artist Georg Gärtner the Elder. Attributed to J. (1577–1654)1. It was probably created in 1620 as a replacement for the original Holzschuher Lamentation, which was then sold to the Nuremberg merchant Martin Peller. (...) In a manuscript by Wilhelm Kress von Kressenstein (1625), first published in 1877, it is mentioned that a copy was made "in 1622" when Holzschuher's Lamentation was sold to Martin Peller 2. (...) _______________________ 1 See Fedja Anzelewsky: Albrecht Dürer. The painterly work. Berlin 1971, p. 286. - In 2000, the Steinraths mistakenly attempted to identify the Sebalder panel as the first of the “Holzschuher Lamentation” by Dürer, while the painting in the Germanic National Museum was a copy made after 1520. See Felix J. F. Steinraths: Albrecht Dürer's memorial plaques from around 1500, Holzschuher epitaph - Glimm'sche Lamentation - Paumgartner Altar, state of research and open questions (Ars faciendi, vol. 9). Frankfurt am Main 2000, p. XVIII, p. 13, pp. 27–37 2 Hans Wilhelm Kreß von Kressenstein on Dürer [Author abbreviation: JEW]. In: Art Chronicle. Supplement to the magazine for fine arts, issue 1, 1877, columns 21–23. – F. Anzelewsky (note 3), p. 286. quoted from: The authorship and dating of the “Holzschuher Lamentation” by Albrecht Dürer and its relation to the panel with the same motif in Saint Sebald

Anne Fritschka, 2009​Feedback gebenSeitenleisten

The plaque that is now in St. Sebald is vaguely attributed to the Nuremberg artist Georg Gärtner the Elder. Attributed to J. (1577–1654)1. It was probably created in 1620 as a replacement for the original Holzschuher Lamentation, which was then sold to the Nuremberg merchant Martin Peller. (...) In a manuscript by Wilhelm Kress von Kressenstein (1625), first published in 1877, it is mentioned that a copy was made "in 1622" when Holzschuher's Lamentation was sold to Martin Peller 2. (...) _______________________ 1 See Fedja Anzelewsky: Albrecht Dürer. The painterly work. Berlin 1971, p. 286. - In 2000, the Steinraths mistakenly attempted to identify the Sebalder panel as the first of the “Holzschuher Lamentation” by Dürer, while the painting in the Germanic National Museum was a copy made after 1520. See Felix J. F. Steinraths: Albrecht Dürer's memorial plaques from around 1500, Holzschuher epitaph - Glimm'sche Lamentation - Paumgartner Altar, state of research and open questions (Ars faciendi, vol. 9). Frankfurt am Main 2000, p. XVIII, p. 13, pp. 27–37 2 Hans Wilhelm Kreß von Kressenstein on Dürer [Author abbreviation: JEW]. In: Art Chronicle. Supplement to the magazine for fine arts, issue 1, 1877, columns 21–23. – F. Anzelewsky (note 3), p. 286. quoted from: The authorship and dating of the “Holzschuher Lamentation” by Albrecht Dürer and its relation to the panel with the same motif in Saint Sebald

Anne Fritschka, 2009​Feedback gebenSeitenleisten

The plaque that is now in St. Sebald is vaguely attributed to the Nuremberg artist Georg Gärtner the Elder. Attributed to J. (1577–1654)1. It was probably created in 1620 as a replacement for the original Holzschuher Lamentation, which was then sold to the Nuremberg merchant Martin Peller. (...) In a manuscript by Wilhelm Kress von Kressenstein (1625), first published in 1877, it is mentioned that a copy was made "in 1622" when Holzschuher's Lamentation was sold to Martin Peller 2. (...) _______________________ 1 See Fedja Anzelewsky: Albrecht Dürer. The painterly work. Berlin 1971, p. 286. - In 2000, the Steinraths mistakenly attempted to identify the Sebalder panel as the first of the “Holzschuher Lamentation” by Dürer, while the painting in the Germanic National Museum was a copy made after 1520. See Felix J. F. Steinraths: Albrecht Dürer's memorial plaques from around 1500, Holzschuher epitaph - Glimm'sche Lamentation - Paumgartner Altar, state of research and open questions (Ars faciendi, vol. 9). Frankfurt am Main 2000, p. XVIII, p. 13, pp. 27–37 2 Hans Wilhelm Kreß von Kressenstein on Dürer [Author abbreviation: JEW]. In: Art Chronicle. Supplement to the magazine for fine arts, issue 1, 1877, columns 21–23. – F. Anzelewsky (note 3), p. 286. quoted from: The authorship and dating of the “Holzschuher Lamentation” by Albrecht Dürer and its relation to the panel with the same motif in Saint Sebald

Anne Fritschka, 2009​Feedback gebenSeitenleisten