ating: end of the 16th century or around 1600 The small panel was acquired by Matías Errázuriz in Europe in the 1910s or 1920s for his private collection. Unfortunately, no exact details about the purchase are known, but the art collector always bought the highest quality. The picture remained in his residential palace, which became a national museum in 1937. The tablet faithfully reproduces the composition of Albrecht Dürer's fifth engraving from the Little Passion. The unknown southern German master translated the graphics into the softer painting style of the late Renaissance. The original frame shows a tile perspective typical of the time at the bottom.

ating: end of the 16th century or around 1600 The small panel was acquired by Matías Errázuriz in Europe in the 1910s or 1920s for his private collection. Unfortunately, no exact details about the purchase are known, but the art collector always bought the highest quality. The picture remained in his residential palace, which became a national museum in 1937. The tablet faithfully reproduces the composition of Albrecht Dürer's fifth engraving from the Little Passion. The unknown southern German master translated the graphics into the softer painting style of the late Renaissance. The original frame shows a tile perspective typical of the time at the bottom.

ating: end of the 16th century or around 1600 The small panel was acquired by Matías Errázuriz in Europe in the 1910s or 1920s for his private collection. Unfortunately, no exact details about the purchase are known, but the art collector always bought the highest quality. The picture remained in his residential palace, which became a national museum in 1937. The tablet faithfully reproduces the composition of Albrecht Dürer's fifth engraving from the Little Passion. The unknown southern German master translated the graphics into the softer painting style of the late Renaissance. The original frame shows a tile perspective typical of the time at the bottom.

ating: end of the 16th century or around 1600 The small panel was acquired by Matías Errázuriz in Europe in the 1910s or 1920s for his private collection. Unfortunately, no exact details about the purchase are known, but the art collector always bought the highest quality. The picture remained in his residential palace, which became a national museum in 1937. The tablet faithfully reproduces the composition of Albrecht Dürer's fifth engraving from the Little Passion. The unknown southern German master translated the graphics into the softer painting style of the late Renaissance. The original frame shows a tile perspective typical of the time at the bottom.

ating: end of the 16th century or around 1600 The small panel was acquired by Matías Errázuriz in Europe in the 1910s or 1920s for his private collection. Unfortunately, no exact details about the purchase are known, but the art collector always bought the highest quality. The picture remained in his residential palace, which became a national museum in 1937. The tablet faithfully reproduces the composition of Albrecht Dürer's fifth engraving from the Little Passion. The unknown southern German master translated the graphics into the softer painting style of the late Renaissance. The original frame shows a tile perspective typical of the time at the bottom.