1520
Altar with open wings
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Figure of the Virgin Mary, upper half of the body
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Figure of the Virgin Mary, side view from the left
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Mary with the infant Jesus, holding a pear in her right hand
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Mary with the infant Jesus, detail view from the bottom left
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Figure of Mary, side view from the right
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Detail view, Mary on the crescent moon
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Altar with open wings
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Altar with open wings, left upper angel
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Altar with open wings, left upper angel, detail
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Angel with the lute (very Italian style)
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Angel with the lute (very Italian style), detail
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Angel with organ portative
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
,Angel with organ portativ, detail
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Angel with harp
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Angel with harp, detail
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
comparison of the four angels
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
The outer panels of the closed altar (photomontage)
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Altar with closed wings
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
The altar with closed wings, detail with view of the Madonna
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021,
1520
The altar with closed wings, oblique view from the right with Annunciation angel and Saint Erasmus
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
The altar with closed wings, detail with Mary from the Annunciation scene and the figure of Mary, dating from 1520
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
The altar with closed wings, detail of the Annunciation angel
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
The altar with closed wings, detail of the two panels of the Annunciation scene and the figure of Mary
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Der Altar mit geschlossenen Flügeln, linke Tafel mit Stifterwappen Gabler
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
The altar with closed wings, right panel with founder's coat of arms Gärtner
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Closed Altar, left side panel with Saint Nicholas of Myra
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Closed altar, left side panel with Saint Nicholas of Myra, detail
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Angel of the Annunciation and Saint Erasmus (his characteristic: winch with which his intestines were pulled out)
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Closed Altar, right side panel. Detail with St. Erasmus
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
Closed altar, right side panel below: Inscription on the renovation of 1602 at the instigation of "Erber Hanns Adter des Eldern Rats".
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
sweat cloth of Veronica
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
1520
sweat cloth of Veronica, image comparison: above Schwabach / below Wendelstein
Foundation of the Nuremberg merchant and innkeeper Stefan Gabler († 1529) and his second wife Sophia née Gärtner († 1557). On December 3, 1522, the executor of the will of the painter Hans von Kulmbach acknowledged receipt of the outstanding 10 fl. to Stefan Gabler as payment for a painted panel, which could refer to the Schwabach altar. The Gabler family had already had a connection to the Mary altar in the Schwabach parish church for several generations. In 1444, one of Stefan Gabler's ancestors, Elisabeth, widow of Heinrich Gabler, made the funds available in her will for a preaching benefice with chaplaincy at the Our Lady altar.
The figure of Mary on the crescent moon is dated around 1475. On October 2, 1521, a dispute between Stefan Gabler and the painter Leonhard Schürstab was decided in such a way that the painter's demand for 53 guilders for the painting of an (altar) panel was granted. It is possible that Gabler also commissioned to paint the Schwabach altarpiece and the figure of the Virgin Mary.
photo 2021, Theo Noll
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