In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).

In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.

Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.

Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).