• A project of the Förderverein Kulturhistorisches Museum Nürnberg e.V. A project of the FKHM Nürnberg e.V.
  • About us
  • Feedback
  • Deutsche Version
Search Virtual museum
Nuremberg Art
  • Artists
  • Works of art
  • Topics
  • New
  • About us
  • Feedback

Ship of Fools

Ship of Fools View from south east

Ship of Fools

1984 1987

View from south east


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Stern of the ship: a female fool hung with jewellery as a figurehead

Ship of Fools

1984 1987

Stern of the ship: a female fool hung with jewellery as a figurehead


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Detail

Ship of Fools

1984 1987

Detail


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools from left tp right_ female fool as figurehead, hellhound, behind it death with fool's clapper drives Eve and Adam from the ship

Ship of Fools

1984 1987

from left tp right_ female fool as figurehead, hellhound, behind it death with fool's clapper drives Eve and Adam from the ship


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Death with a fool´s clapper and Eve

Ship of Fools

1984 1987

Death with a fool´s clapper and Eve


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Death with a fool´s clapper, in front of it hellhound

Ship of Fools

1984 1987

Death with a fool´s clapper, in front of it hellhound


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2020, Theo Noll

Ship of Fools from left to tight: hellhound, Eve and Adam, above it a crow, at the bottom right Kain

Ship of Fools

1984 1987

from left to tight: hellhound, Eve and Adam, above it a crow, at the bottom right Kain


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2020, Theo Noll

Ship of Fools Adam, detail

Ship of Fools

1984 1987

Adam, detail


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Kain as a child with a knife, fool´s face with a clamp

Ship of Fools

1984 1987

Kain as a child with a knife, fool´s face with a clamp


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Hull, south side

Ship of Fools

1984 1987

Hull, south side


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Hull, south side

Ship of Fools

1984 1987

Hull, south side


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Detail with artist´s signature

Ship of Fools

1984 1987

Detail with artist´s signature


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2020, Theo Noll

Ship of Fools Fool´s face with octopus arms and clamp at the bow of the ship

Ship of Fools

1984 1987

Fool´s face with octopus arms and clamp at the bow of the ship


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2020, Theo Noll

Ship of Fools Bow of the ship

Ship of Fools

1984 1987

Bow of the ship


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2020, Theo Noll

Ship of Fools View from the front

Ship of Fools

1984 1987

View from the front


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2020, Theo Noll

Ship of Fools Depiction of violence: Man with club

Ship of Fools

1984 1987

Depiction of violence: Man with club


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools North side

Ship of Fools

1984 1987

North side


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools North west side with the figures of technology and resignation

Ship of Fools

1984 1987

North west side with the figures of technology and resignation


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Depiction of resignation

Ship of Fools

1984 1987

Depiction of resignation


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Hull with inscription, north side

Ship of Fools

1984 1987

Hull with inscription, north side


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Hull with inscription, north side

Ship of Fools

1984 1987

Hull with inscription, north side


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Donor board in front of the sculpture

Ship of Fools

1984 1987

Donor board in front of the sculpture


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Water waves as base, view from the south

Ship of Fools

1984 1987

Water waves as base, view from the south


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Water waves as base, view from the north

Ship of Fools

1984 1987

Water waves as base, view from the north


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg, Plobenhofstraße Spitalgasse

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2021, Theo Noll

Ship of Fools Originally the Sip of Fools was designed as a fountain/ see for comparison the History Column in Coblenz

Ship of Fools

1984 1987

Originally the Sip of Fools was designed as a fountain/ see for comparison the History Column in Coblenz


The Ship of Fools

1984 - 1987

Cast: Herbich

Originally the sculpture was designed as a  fountain


(for comparison see Historienbrunnen in Koblenz)


 A fool is he who donates  a memorial, for he will heavily  be criticized  for the endowment, He could have saved the trouble and the money ,

(Kurt Klutentreter)


The Ship of Fools is a scripture by Sebastian Brant from  1495 in which he describes the world  as a ship which is  steered to ruin by fools. This idea fascinated me. On the basis of this topic I could make visible and illustrate our fears of nature being destroyed by technical overexploitation or by extinction of life by nuclear disasters. And, apart from that, what is a better symbol than a ship of fools for our art business and the politicians strutting around smugly in it.


The fool´s face with the clamp cap in this context means bad luck anyhow, and the arms of the octopus remind of the snakes an the ancient head of Medusa: a connection of medieval and ancient allegories, which are typical for renaissanve literatur and the epic poem by Brant. As I attached a bejewelled female fool´s head to the stern of the ship as well the ship actually became directionless, foreward and backward finally are the same.  What could more aptly characterise the situation of "progress"?"


"The withered tree of knowledge as the mast of the ship of fools, as an allegory of withered reason, thus brought me to the image of a second expulsion of people and all living things from this earth into nothingness: the central figure of my new design became Death wielding the clap of fools like a scythe, driving Adam and Eve with their little murderer son Cain out of the ship that means the world. I then assigned violence, avarice and resignation to them as allegories of the worst folly. (...)

To death I assigned the hound of hell. From the dead tree - also a symbol for the dying of plants - a crow rises. Plants People and animals leave this ark symbolising the world or are driven out of it. That should be the message."(Jürgen Weber)

Inscription on the north side:

A fool is he who considers it to be a miracle that God now punishes the world and sends plagues and pestilence even though we still are Christians.

(first four lines from God sends Plague and Punishment from The Ship of Fools by Sebastian Brant)

VIOLENCE +TECCHOLOGY AND RESIGNATION


Inscription on the south side:

A fool is he who hears a lot of good things, but nevertheless does not become any wiser, who wishes to gain lots of experience, but  nevertheless does not want to become a better person.

(first four lines from: Fool yesterday as today from the Ship of Fools by Sebastian Brant)

DESTROY LIFE AND THE DEATH LAUGHS HIS HEAD OF:


Literature:

- Das Ehekarussell, Jürgen Weber, Verlag M. Edelmann, Nürnberg, 1985

- Das Narrenschiff, Kunst ohne Kompass, Universitas Verlag, München, 1994



Location: Nürnberg und Koblenz

Design: Weber, Jürgen

Realization: Weber, Jürgen

Depicted: Klutentreter, Kurt

Material: Bronze

photo 2019/2021, Theo Noll

Jürgen
Weber

Further works

Ship of Fools
Ship of Fools
History Column
History Column
Marriage carousel/ Hans Sachs Fountain
Marriage carousel/ Hans Sachs Fountain

Kurt
Klutentreter

Further works

Memorial to King Ludwig´s Railway (Ludwigseisenbahn)
Memorial to King Ludwig´s Railway (Ludwigseisenbahn)
Noris Fountain
Noris Fountain
Defensive tower (schwarz H)
Defensive tower (schwarz H)
Defensive Tower (Schwarz J)
Defensive Tower (Schwarz J)
Ship of Fools
Ship of Fools
Defensive tower (black Z)
Defensive tower (black Z)

Menu

  • New
  • Search
  • Artists
  • Works of art
  • About us
  • Deutsche Version
  • Instagram

A project of the Förderverein Kulturhistorisches Museum Nürnberg e.V. (Association for the Promotion of the Museum of Cultural History Nuremberg - registered association)

The Förderverein Kulturhistorisches Museum Nürnberg e.V. supports the establishment of a museum of cultural history in Nuremberg. In anticipation of this it presents selected works of Nuremberg art in digital form. The Association will be happy to welcome new members. You will find a declaration of membership on our website.

Support us Feedback

Logo

© Protected under German copyright laws

  • Imprint
  • Privacy policy

Feedback

Please let us know your opinion about our website, the museum, our idea or any other evaluation. We shall be please about any comments and suggestions..