Imperial City of Nuremberg against the Rise of the Sun (east)
Imperial City of Nuremberg against the Rise of the Sun (east)
1722
Pen and ink drawing by Kaulitz
photo 2019,
Actual CONTRAFACTURE of the Imperial and Holy Roman Empire City of Nuremberg against the sunrise.
Comparison of the
copperplate engraving by Hans Wechter (1599)
with the pen and ink drawing by Kaulitz (1722)
The copperplate engraving by Hans Wechter largely corresponds to an oil painting by Lorenz Strauch (1554-1630), which is in the possession of the Nuremberg Board of Trade.
The pen and ink drawing by Kaulitz was made in the first year of his imprisonment and shows a view of Nuremberg, which was faithfully made after the original by Lorenz Strauch. This repetition of the motif after more than 120 years since its creation speaks for its unbroken popularity.
Location: Museums of the City of Nuremberg, Art Collections, Inv.-Nr. Nor.K. 08009
Realization: Kaulitz, Christian Ludwig
Material: Federzeichnung in schwarzer und brauner Tusche, Blatt: 34 x 94,5 cm; Darstellung: 28,8 x 88 cm
Imperial City of Nuremberg against the Rise of the Sun (east)
1722
Copper engraving from 1599 by Hans Wechter (1575-1608) after an oil painting by Lorenz Strauch (1554-1630)
photo 2019,
Actual CONTRAFACTURE of the Imperial and Holy Roman Empire City of Nuremberg against the sunrise.
Comparison of the
copperplate engraving by Hans Wechter (1599)
with the pen and ink drawing by Kaulitz (1722)
The copperplate engraving by Hans Wechter largely corresponds to an oil painting by Lorenz Strauch (1554-1630), which is in the possession of the Nuremberg Board of Trade.
The pen and ink drawing by Kaulitz was made in the first year of his imprisonment and shows a view of Nuremberg, which was faithfully made after the original by Lorenz Strauch. This repetition of the motif after more than 120 years since its creation speaks for its unbroken popularity.
Location: Museen der Stadt Nürnberg, Kunstsammlungen, Inv.-Nr. Gr.A. 13601
Realization: Kaulitz, Christian Ludwig
Material: Federzeichnung in schwarzer und brauner Tusche, Blatt: 34 x 94,5 cm; Darstellung: 28,8 x 88 cm
Imperial City of Nuremberg against the Rise of the Sun (east)
1722
Image comparison: left copperplate engraving by Wechter, right pen and ink drawing by Kaulitz
Actual CONTRAFACTURE of the Imperial and Holy Roman Empire City of Nuremberg against the sunrise.
Comparison of the
copperplate engraving by Hans Wechter (1599)
with the pen and ink drawing by Kaulitz (1722)
The copperplate engraving by Hans Wechter largely corresponds to an oil painting by Lorenz Strauch (1554-1630), which is in the possession of the Nuremberg Board of Trade.
The pen and ink drawing by Kaulitz was made in the first year of his imprisonment and shows a view of Nuremberg, which was faithfully made after the original by Lorenz Strauch. This repetition of the motif after more than 120 years since its creation speaks for its unbroken popularity.
Location: Museums of the City of Nuremberg, Art Collections, Inv. Nr. GR.A 13601 and Inv.-Nr. Nor.K. 08009
Realization: Kaulitz, Christian Ludwig
Material: Pen and ink drawing in black and brown ink, sheet: 34 x 94.5 cm; image: 28.8 x 88 cm
photo 2019,
Imperial City of Nuremberg against the Rise of the Sun (east)
1722
Image comparison: left copperplate engraving by Wechter, right pen and ink drawing by Kaulitz
Actual CONTRAFACTURE of the Imperial and Holy Roman Empire City of Nuremberg against the sunrise.
Comparison of the
copperplate engraving by Hans Wechter (1599)
with the pen and ink drawing by Kaulitz (1722)
The copperplate engraving by Hans Wechter largely corresponds to an oil painting by Lorenz Strauch (1554-1630), which is in the possession of the Nuremberg Board of Trade.
The pen and ink drawing by Kaulitz was made in the first year of his imprisonment and shows a view of Nuremberg, which was faithfully made after the original by Lorenz Strauch. This repetition of the motif after more than 120 years since its creation speaks for its unbroken popularity.
Location: Museums of the City of Nuremberg, Art Collections, Inv.-Nr. Nor.K. 08009
Realization: Kaulitz, Christian Ludwig
Material: Pen and ink drawing in black and brown ink, sheet: 34 x 94.5 cm; image: 28.8 x 88 cm
photo 2019,
Imperial City of Nuremberg against the Rise of the Sun (east)
1722
Comparison of images: on the left copperplate engraving by Wechter, on the right pen and ink drawing of Kaulitz, he is sitting in chains and the word Arrest(atus) is added to his name to indicate his imprisonment.
Actual CONTRAFACTURE of the Imperial and Holy Roman Empire City of Nuremberg against the sunrise.
Comparison of the
copperplate engraving by Hans Wechter (1599)
with the pen and ink drawing by Kaulitz (1722)
The copperplate engraving by Hans Wechter largely corresponds to an oil painting by Lorenz Strauch (1554-1630), which is in the possession of the Nuremberg Board of Trade.
The pen and ink drawing by Kaulitz was made in the first year of his imprisonment and shows a view of Nuremberg, which was faithfully made after the original by Lorenz Strauch. This repetition of the motif after more than 120 years since its creation speaks for its unbroken popularity.
Location: Museums of the City of Nuremberg, Art Collections, Inv.-Nr. Nor.K. 08009
Realization: Kaulitz, Christian Ludwig
Material: Pen and ink drawing in black and brown ink, sheet: 34 x 94.5 cm; image: 28.8 x 88 cm
photo 2019,
