The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra

The museum shows in an exemplary way, that contemporary architecture is absolutely able to promote excellence even in the Old City of Nuremberg. Integrating a house of the pre-modern era at Luitpoldstraße the building develops a 100 m long concave front completely freely deep into Klarissenplatz. This front makes up one side of Klarissenplatz, which, apart from that, is bordered by the City wall and the historical back fronts of the buildings at Kaiserstraße. The cleft at Luitpoldstraße separates the main building from the tract of the design forum Nuremberg, which is also laterally curved and decorated with bas-reliefs of names and sayings of Nuremberg artists designed by the Swiss artist Rémy Zaugg. The spatial concept of the museum is by no mean sensationalism but good architecture. Dr. Pablo de la Riestra