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Pulpits of the Museum Bridge with inscriptions

Pulpits of the Museum Bridge with inscriptions

Pulpits of the Museum Bridge with inscriptions

1700



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2018, Theo Noll

Pulpits of the Museum Bridge with inscriptions East pulpit

Pulpits of the Museum Bridge with inscriptions

1700

East pulpit



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2018, Theo Noll

Pulpits of the Museum Bridge with inscriptions East pulpit with coat of arms

Pulpits of the Museum Bridge with inscriptions

1700

East pulpit with coat of arms



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2018, Theo Noll

Pulpits of the Museum Bridge with inscriptions Eastern pulpit, view of the place

Pulpits of the Museum Bridge with inscriptions

1700

Eastern pulpit, view of the place



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2014, Theo Noll

Pulpits of the Museum Bridge with inscriptions Eastern pulpit, side view and view of the place

Pulpits of the Museum Bridge with inscriptions

1700

Eastern pulpit, side view and view of the place



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2014, Theo Noll

Pulpits of the Museum Bridge with inscriptions Inscription on the eastern pulpit

Pulpits of the Museum Bridge with inscriptions

1700

Inscription on the eastern pulpit



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2018, Theo Noll

Pulpits of the Museum Bridge with inscriptions West pulpit

Pulpits of the Museum Bridge with inscriptions

1700

West pulpit



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2018, Theo Noll

Pulpits of the Museum Bridge with inscriptions West pulpit

Pulpits of the Museum Bridge with inscriptions

1700

West pulpit



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2018, Theo Noll

Pulpits of the Museum Bridge with inscriptions West pulpit, view of the place

Pulpits of the Museum Bridge with inscriptions

1700

West pulpit, view of the place



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2014, Theo Noll

Pulpits of the Museum Bridge with inscriptions Museum bridge from the west, view of the place

Pulpits of the Museum Bridge with inscriptions

1700

Museum bridge from the west, view of the place



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2014, Theo Noll

Pulpits of the Museum Bridge with inscriptions Inscription on the west pulpit

Pulpits of the Museum Bridge with inscriptions

1700

Inscription on the west pulpit



Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: private

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

photo 2018, Theo Noll

Pulpits of the Museum Bridge with inscriptions Inschrift

Pulpits of the Museum Bridge with inscriptions

Info

1700


Inschrift


photo 2018, Theo Noll


Graphic representation of the two pulpits (laterally extended area) of the Museum Bridge in Nuremberg.


 


(Design) Erasmus, Johann Georg:


delineavit = he drew it


 


(print and publisher) Johann Andreas Graff:


fecit ad vivum = he made after life (as it is).


 


(engraver) Glotsch, (Johann) Ludwig Christoph:


sculpsit = engraved it


 


 


 


Johann Georg Erasmus, since 1698 Anschicker on the Peunt and anyway well known as an architectural draughtsman, might have been the designer of the two pulpits, so that "delineavit" might refer to the draughtsman's design of the pulpits themselves.


(Helge Weingärtner)


 


 


 


The inscription panels were placed in honour of Emperor Leopold I and King Joseph I, which also gave rise to the names "Josephsbrücke" (Joseph Bridge) and "Königsbrücke" (King's Bridge), which, however, did not become established. Furthermore, there are panels with the coats of arms of the Holy Roman Empire, the kingdoms of Hungary and Bohemia, the Nuremberg coat of arms triple pass and the coats of arms of the highest-ranking councillors.

(Margot Lölhöffel)

Location: privat

Realization: Glotsch, (Johann) Ludwig Christoph, Graff, Johann Andreas

(Johann) Ludwig Christoph
Glotsch

Further works

Pulpits of the Museum Bridge with inscriptions
Pulpits of the Museum Bridge with inscriptions
View of the observatory of the fortress
View of the observatory of the fortress
Arethusa
Arethusa

Johann Andreas
Graff

Further works

Pulpits of the Museum Bridge with inscriptions
Pulpits of the Museum Bridge with inscriptions
“Urbis Norimbergensis Insigniorum Templorum…” St. Sebald-Church
“Urbis Norimbergensis Insigniorum Templorum…” St. Sebald-Church
The Tulen-Au (Tullnau), between Wöhrd and St. Peter
The Tulen-Au (Tullnau), between Wöhrd and St. Peter
Poets´ grove
Poets´ grove
Vargeten Garden off Nuremberg
Vargeten Garden off Nuremberg
Kleingründlach with Obermühle
Kleingründlach with Obermühle
Großgründlach, from the south
Großgründlach, from the south
Großgründlach, View from the Church steeple southwards
Großgründlach, View from the Church steeple southwards
“Urbis Norimbergensis Insigniorum Templorum…” Church of the Discalced Franciscans
“Urbis Norimbergensis Insigniorum Templorum…” Church of the Discalced Franciscans
“Urbis Norimbergensis Insigniorum Templorum…” Egidien-Church and square
“Urbis Norimbergensis Insigniorum Templorum…” Egidien-Church and square
“The A.C.1700 to his Imperial and Royal Majesty´s…” New Bridge with Viatis House
“The A.C.1700 to his Imperial and Royal Majesty´s…” New Bridge with Viatis House
“Urbis Norimbergensis Insigniorum Templorum…” Hospital-Church (Spitalkirche)
“Urbis Norimbergensis Insigniorum Templorum…” Hospital-Church (Spitalkirche)
“Urbis Norimbergensis Insigniorum Templorum…” St. Lorenz-Church
“Urbis Norimbergensis Insigniorum Templorum…” St. Lorenz-Church
“Urbis Norimbergensis Insigniorum Templorum…” St. George´s Church in Kraftshof (Georgskirche)
“Urbis Norimbergensis Insigniorum Templorum…” St. George´s Church in Kraftshof (Georgskirche)
“Urbis Norimbergensis Insigniorum Templorum…” Frauenkirche (Our Lady´s Church)
“Urbis Norimbergensis Insigniorum Templorum…” Frauenkirche (Our Lady´s Church)
“Urbis Norimbergensis Insigniorum Templorum…” Ruin of Egidien-Church
“Urbis Norimbergensis Insigniorum Templorum…” Ruin of Egidien-Church
“Urbis Norimbergensis Insigniorum Templorum…” House of the Teutonic Order and St. Jacob-Church
“Urbis Norimbergensis Insigniorum Templorum…” House of the Teutonic Order and St. Jacob-Church

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A project of the Förderverein Kulturhistorisches Museum Nürnberg e.V. (Association for the Promotion of the Museum of Cultural History Nuremberg - registered association)

The Förderverein Kulturhistorisches Museum Nürnberg e.V. supports the establishment of a museum of cultural history in Nuremberg. In anticipation of this it presents selected works of Nuremberg art in digital form. The Association will be happy to welcome new members. You will find a declaration of membership on our website.

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