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Window sII 1 of the Sebalder Chörlein

Window sII 1 of the Sebalder Chörlein Right window, lower row

Window sII 1 of the Sebalder Chörlein

1521

Right window, lower row


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein Site plan

Window sII 1 of the Sebalder Chörlein

1521

Site plan


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Theo Noll

Window sII 1 of the Sebalder Chörlein series of panes in a row

Window sII 1 of the Sebalder Chörlein

Info

1521


series of panes in a row


photo 2022, Theo Noll

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glas

Window sII 1 of the Sebalder Chörlein First window of the row

Window sII 1 of the Sebalder Chörlein

1521

First window of the row


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein Upper half of the picture with angel

Window sII 1 of the Sebalder Chörlein

1521

Upper half of the picture with angel


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein Coat of arms Pessler and Toppler

Window sII 1 of the Sebalder Chörlein

1521

Coat of arms Pessler and Toppler


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein second window of the row / A coat of arms triple band under an opened tent shows above a frontally placed four-part coat of arms: in field 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of Peßler

Window sII 1 of the Sebalder Chörlein

1521

second window of the row / A coat of arms triple band under an opened tent shows above a frontally placed four-part coat of arms: in field 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of Peßler


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein upper half of the picture with tent roof

Window sII 1 of the Sebalder Chörlein

1521

upper half of the picture with tent roof


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein below coat of arms of Erhart Peßler and his wife Katharina née Melber.

Window sII 1 of the Sebalder Chörlein

1521

below coat of arms of Erhart Peßler and his wife Katharina née Melber.


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein third winddow of the row

Window sII 1 of the Sebalder Chörlein

1521

third winddow of the row


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein upper half of the picture with angel

Window sII 1 of the Sebalder Chörlein

1521

upper half of the picture with angel


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein Coat of arms Melber and Pfinzing

Window sII 1 of the Sebalder Chörlein

1521

Coat of arms Melber and Pfinzing


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Pablo de la Riestra

Window sII 1 of the Sebalder Chörlein Site plan of the two window rows

Window sII 1 of the Sebalder Chörlein

1521

Site plan of the two window rows


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Theo Noll

Window sII 1 of the Sebalder Chörlein Windows of 1517 top, windows of 1521 bottom

Window sII 1 of the Sebalder Chörlein

1521

Windows of 1517 top, windows of 1521 bottom


Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.


A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.


The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).


Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Location: Lageplan der beiden Fensterreihen

Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin

Material: Glass

photo 2022, Theo Noll

Augustin
Hirsvogel (Hirschvogel, Hirsfogel)

Further works

Window sII 1 of the Sebalder Chörlein
Window sII 1 of the Sebalder Chörlein

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A project of the Förderverein Kulturhistorisches Museum Nürnberg e.V. (Association for the Promotion of the Museum of Cultural History Nuremberg - registered association)

The Förderverein Kulturhistorisches Museum Nürnberg e.V. supports the establishment of a museum of cultural history in Nuremberg. In anticipation of this it presents selected works of Nuremberg art in digital form. The Association will be happy to welcome new members. You will find a declaration of membership on our website.

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