Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007

Window sII 1 of the Sebalder Chörlein

The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.

A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.

The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).

Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007