Axis or east window
Axis or east window
1505
Overall view
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Theo Noll
Axis or east window
1505
upper window panes
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Theo Noll
Axis or east window
1505
lower window panes
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Theo Noll
Axis or east window
1505
Sebald blessing at a meal
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Pablo de la Riestra
Axis or east window
1505
The Temptation of Christ
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Pablo de la Riestra
Axis or east window
1505
The Temptation of Christ, devil
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Theo Noll
Axis or east window
1505
Christ and the Adulteress
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Theo Noll
Axis or east window
1505
The twelve-year-old Christ Child in the Temple with the Doctors
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Pablo de la Riestra
Axis or east window
1505
Joachim and Anna
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Pablo de la Riestra
Axis or east window
1505
Anna, detail
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Theo Noll
Axis or east window
1505
Presentation in the Temple, dated 1505
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Pablo de la Riestra
Axis or east window
1505
Mary at the loom being tended to by angels
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Pablo de la Riestra
Axis or east window
1505
Angel, detail
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Theo Noll
Axis or east window
1505
Marriage of Mary and Joseph
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Theo Noll
Axis or east window
1505
Marriage of Mary and Joseph, detail
The design for these stained-glass windows is attributed to Hans Baldung Grien, Dürer's favorite pupil.
The work, dated 1505, coincides precisely with Baldung's apprenticeship with Dürer (1503-07). The master's influence is evident.
The stained-glass windows were once located in the cloister of the Nuremberg Carmelite monastery.
Location: Großgründlach, Parish Church of St. Lorenz
Design: Baldung, Hans, gen. Grien
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Veit d. Ä.
Material: Glass
photo 2018, Theo Noll
