1545
Graveyard with St. John's Church in the background
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
photo 2018, Theo Noll
1545
View from above
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
photo 2018, Theo Noll
1545
Inscription, held by angels on the left and right. "The upper left angel moves on the year"
photo 2018, Theo Noll
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
1545
Table chandelier between two baluster columns
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
photo 2018, Theo Noll
1545
Table chandelier with year (1545)
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nürnberg, Johannisfriedhof, Grabnr. 977
Material: Bronze
photo 2018, Theo Noll
1545
Table chandelier, upper half
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
photo 2018, Theo Noll
1545
Table chandelier, lower half (oblique view)
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
photo 2018, Theo Noll
1545
Ansicht des Leuchters vom Grabkopf
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
photo 2018, Theo Noll
1545
lower epitaph end with maker's mark
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
photo 2018,
1545
lower right corner with pedestal and plant ornamentation
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
photo 2018, Theo Noll
1545
auto_awesome Meintest du: Auszug aus Johann. Martin Trechsels, Großkopf genannt: "Verneuertes Gedächtnis des nürnbergischen Johannis Kirch Hof ..." , Franckf. & Leipzig 1735 Nürnberg, Johannisfriedhof, Grabnr. 977 185 Excerpt from Johann Martin Trechsels,
The epitaph of Hans Parterum is characterized by a clear, modern design without direct Christian symbolism. A table lamp, similar to those the deceased made during his lifetime, protrudes half from the surface of the epitaph, while half is submerged within it. It stands prominently between two columns, representing the mastery of Hans Parterum. Inscription: In the year of our Lord 1539, on July 19th, the honorable Hans Parterum, blacksmith, passed away in Christ. May God have mercy on him. 1545
Location: Nuremberg, St. John's Cemetery, Grave No. 977
Material: Bronze
photo 2018, Theo Noll
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