Ratsfenster (Council window)
Ratsfenster (Council window)
Overall view
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glass
photo 2017, Theo Noll
Ratsfenster (Council window)
Tracing crown, heart between trefoils.
photo 2017, Theo Noll
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glas
Ratsfenster (Council window)
Top row: Left and right: Memorial panels for Friedrich Schultheiß and his wife Barbara – historicist works from 1898. Middle fields: four round coats of arms, Pirckheimer, Braun, Winter, and Ayrer.
photo 2017, Theo Noll
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glas
Ratsfenster (Council window)
Top row: Middle fields, four round coats of arms: Pirckheimer, Braun, Winter, and Ayrer, 16th century
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glass
photo 2017, Theo Noll
Ratsfenster (Council window)
Top row: Memorial panels for the sexton Friedrich Schultheiß
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glass
photo 2017, Theo Noll
Ratsfenster (Council window)
Top row: Memorial panels for his wife Barbara, née Stör
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glas
photo 2017, Theo Noll
Ratsfenster (Council window)
Second row from top, left: Muffel and Tucher coats of arms, 16th century
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glass
photo 2017, Theo Noll
Ratsfenster (Council window)
Second row from the top, right: Tucher and Muffel coats of arms, 16th century
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glas
photo 2017, Theo Noll
Ratsfenster (Council window)
Middle row, left, on the left: Harsdorf coat of arms, 17th century; on the right: Joachim from a depiction of an encounter at the Golden Gate, 16th century
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glass
photo 2017, Theo Noll
Ratsfenster (Council window)
Middle row, right, on the left: St. Anne from a depiction of an encounter at the Golden Gate, 16th century; right, Gugel coat of arms, 17th century
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glas
photo 2017, Theo Noll
Ratsfenster (Council window)
Lowest band, left half, top: left Pirckheimer coat of arms, right St. Peter; bottom: left, Toppler coat of arms, right St. Lawrence
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glass
photo 2017, Theo Noll
Ratsfenster (Council window)
Lowest band, right half, top: left St. Sebald, right Pirckheimer coat of arms; bottom: left, St. Stephen, right, Stromer coat of arms and ?
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glas
photo 2017, Theo Noll
Ratsfenster (Council window)
lowest band: St. Lorenz on the left, St. Stephanus on the right
Although the city's coat of arms, supported by angels and set within a heart-shaped tracery border, identifies the window as a council foundation, it is now a heterogeneous composition dating from the post-war period.
Location: Nuremberg, St. Lorenz Church, central axis of the clerestory, choir window H I
Material: Glass
photo 2017, Theo Noll