High altar of the Johanneskirche (Crailsheim)
High altar of the Johanneskirche (Crailsheim)
around 1495
Gesamtansicht des geöffneten Retabels
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Schrein von l. nach r.: Johannes d. T., Maria, Jesus, Johannes Evangelist, Andreas
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Schrein, Detail der vollplastischen Figuren
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Schrein, Detail Christus zwischen Maria und Johannes
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Shrine, Christ,bust
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Shrine, Mary head
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Shrine, John, Head
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Shrine, detail, St. John the Baptist and Mary
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Shrine, detail, John and Andrew
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Shrine, detail, under the Cross Adam´s skull
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Predella with open wings
photo 2015, Theo Noll
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
High altar of the Johanneskirche (Crailsheim)
around 1495
Predella, Corpus Christi surrounded by mourners
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Predella, Christ and Joseph of Arimathea
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Predella, Christ and mourners, John's left hand on Christ's arm
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Predella, legs of Christ, Nicodemus at his feet
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015,
High altar of the Johanneskirche (Crailsheim)
around 1495
Left wing of the altarpiece, above: Prayer on the Mount of Olives, below: Mocking of Christ
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Left wing of the altarpiece, below: Mocking of Christ
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Right altarpiece wing, above: Flagellation, below: Fall of the Cross with the Veil of Veronica
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Right altarpiece wing, below: Fall of the Cross with the Veil of Veronica
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Left predella wing with Lawrence, Martin, and James
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll
High altar of the Johanneskirche (Crailsheim)
around 1495
Right predella wing with Dorothea, Ursula, and Wolfgang
Painting circa 1495, workshop of Michael Wohlgemut;
Carving not precisely dated, carver unknown.
The Nuremberg origin of the Crailsheim figures is evidenced by their close stylistic similarity to the figures of the Henry Altarpiece, which Emperor Frederick III donated to the Upper Castle Chapel in 1487 (Stefan Roller).
Location: Crailsheim, St. John's Church
photo 2015, Theo Noll