Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra

Attributed to Hans Schwarz

The group consisted of five figures; the angel to the left of the judge is missing. In the center, the judge is seated on a griffin; to the right, a poor man with a pleading gesture; to the left, the rich man opening his hanging bag. This fully sculpted group represents a pinnacle of early 16th-century German woodcarving. The already mature Renaissance style, however, is inextricably linked to the dynamic pre-Baroque tendencies of South German Late Gothic. The group formerly stood above the door of the council chamber built by Hans Behaim.

Dr. Pablo de la Riestra