Altar of Mary (Salzburg)
Altar of Mary (Salzburg)
1498
Total view
photo 2016, Pablo de la Riestra
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
Altar of Mary (Salzburg)
1498
Central shrine, main group
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
photo 2016, Pablo de la Riestra
Altar of Mary (Salzburg)
1498
Central shrine, Mary and Joseph
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
photo 2016, Theo Noll
Altar of Mary (Salzburg)
1498
Central shrine, Mary and shepherds
photo 2016, Pablo de la Riestra
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
Altar of Mary (Salzburg)
1498
Central shrine, shepherd
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
photo 2016, Pablo de la Riestra
Altar of Mary (Salzburg)
1498
Central Shrine, Joseph
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
photo 2016, Pablo de la Riestra
Altar of Mary (Salzburg)
1498
Left wing: top, annunciation
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
photo 2016, Pablo de la Riestra
Altar of Mary (Salzburg)
1498
Left wing: bottom, adoration of the magi
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
photo 2016, Pablo de la Riestra
Altar of Mary (Salzburg)
1498
Right wing: top, death of Mary
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
photo 2016, Pablo de la Riestra
Altar of Mary (Salzburg)
1498
Wight wing: bottom: the resurrected Christ (Noli me tangere)
Veit Stoss (circle) The Nuremberg provenience of the altar is not only supported by the fact that it features the unmistakable style of Veit Stoss, but also by the parallels to St. Anne with the Virgin and Child Jesus in St. Jacob´s Church in Nuremberg. (see Veit Stoß catalogue, Munich 1983, p. 326). The exchange with Salzburg is obvious (little altar with resurrected Christ in the Salzburg Museum, epitaph of the Salzburg sculptor Hans Valkenauer for Kunz Horn at St. Lorenz Church.
Location: Salzburg, Abbey Nonnberg
Design: Stoss, Veit
photo 2016, Pablo de la Riestra
