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Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Lord's Box, North Choir Wall/Triumphal Arch

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Lord's Box, North Choir Wall/Triumphal Arch


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Lord's Box, North Choir Wall/Triumphal Arch

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Lord's Box, North Choir Wall/Triumphal Arch


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Lord's Box, North Choir Wall/Triumphal Arch, Eastern Tracery Panel

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Lord's Box, North Choir Wall/Triumphal Arch, Eastern Tracery Panel


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Lord's Box, North and West Sides

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Lord's Box, North and West Sides


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Corner of the Lord's Box

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

Info

around 1600


Corner of the Lord's Box


photo 2015, Pablo de la Riestra

The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Holz

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Corner of the Lord's Box, view from below

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Corner of the Lord's Box, view from below


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Corner of the Lord's Box, West Side

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Corner of the Lord's Box, West Side


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Corner of the Lord's Box, West Side, North Panel

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Corner of the Lord's Box, West Side, North Panel


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Corner of the Lord's Box, west side, view from the front

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Corner of the Lord's Box, west side, view from the front


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Corner of the Lord's Box, west side, view from the front with rose

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

Info

around 1600


Corner of the Lord's Box, west side, view from the front with rose


photo 2015, Pablo de la Riestra

The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Holz

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Organ gallery, overall view

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

Info

around 1600


Organ gallery, overall view


photo 2015, Pablo de la Riestra

The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Holz

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Organ gallery, detail

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Organ gallery, detail


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Choir vault with triumphal arch and parapet

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Choir vault with triumphal arch and parapet


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg Parapet of the triumphal arch

Wooden galleries in the Church of St. Mary and St. Christopher, Kalbensteinberg

around 1600

Parapet of the triumphal arch


The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.

Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher

Material: Wood

photo 2015, Pablo de la Riestra

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A project of the Förderverein Kulturhistorisches Museum Nürnberg e.V. (Association for the Promotion of the Museum of Cultural History Nuremberg - registered association)

The Förderverein Kulturhistorisches Museum Nürnberg e.V. supports the establishment of a museum of cultural history in Nuremberg. In anticipation of this it presents selected works of Nuremberg art in digital form. The Association will be happy to welcome new members. You will find a declaration of membership on our website.

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