around 1600
Lord's Box, North Choir Wall/Triumphal Arch
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Lord's Box, North Choir Wall/Triumphal Arch
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Lord's Box, North Choir Wall/Triumphal Arch, Eastern Tracery Panel
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Lord's Box, North and West Sides
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Corner of the Lord's Box
photo 2015, Pablo de la Riestra
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Holz
around 1600
Corner of the Lord's Box, view from below
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Corner of the Lord's Box, West Side
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Corner of the Lord's Box, West Side, North Panel
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Corner of the Lord's Box, west side, view from the front
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Corner of the Lord's Box, west side, view from the front with rose
photo 2015, Pablo de la Riestra
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Holz
around 1600
Organ gallery, overall view
photo 2015, Pablo de la Riestra
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Holz
around 1600
Organ gallery, detail
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Choir vault with triumphal arch and parapet
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
around 1600
Parapet of the triumphal arch
The church has three wooden galleries in pure Nuremberg Late Gothic style, dating from around 1600: The lord's box is divided into two sections on the south wall of the chancel and on the south wall of the east end. All the galleries in the church feature corbels and entablatures in classical forms, while the balustrades are all Late Gothic. In the east, a central rose window is directly reminiscent of examples of burgher houses in Nuremberg's old town, such as the roof hoist at Schlehengasse 15. The organ gallery, with its posts and saddle timbers, borrows its motifs from the inner gallery of the chancel of St. Lorenz Church. The smallest balustrade opens at the rear of the triumphal arch.
Location: Kalbensteinberg, Rieter Church of St. Mary and St. Christopher
Material: Wood
photo 2015, Pablo de la Riestra
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