Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.

Three windows in the choir of St. Bartholomew's Church combine stained glass from the first two decades of the 16th century. All originate from the workshop of the glass painter Veit Hirsvogel and his sons. They were moved from the cloister of the former Nuremberg Carmelite monastery in 1557/64. The panels depicting the "Nativity" and the "Adoration of the Magi" are likely based on designs by Hans Baldung Grien. The designs for the other windows are from the circle of Dürer.