Choir window in the Tetzel Chapel
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Choir window I, first and second rows of windows, reassembled fragments
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
photo 2015, Theo Noll
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 1a, Donor figure
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
photo 2015, Theo Noll
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 1a, Donor figure, detail
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
photo 2015, Theo Noll
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 1a, Donor figure, detail
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
photo 2015, Theo Noll
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 1b, Mary before the lectern (from an Annunciation)
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
photo 2015, Theo Noll
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 1b, Mary before the lectern (from an Annunciation), detail
photo 2015, Theo Noll
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nürnberg, St. Egidien, Teztzelkapelle, Chorfenster I
Material: Glas
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 2a, "Justification image", Mary as intercessor for humanity and Christ tempering God's wrath
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
photo 2015, Theo Noll
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 2a, upper half of the image
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
photo 2015, Theo Noll
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 2a, Detail view with Christ
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
photo 2015, Theo Noll
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 2a, Human Fragments, in Scorzo View
photo 2015, Theo Noll
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 2b, Mary on the crescent moon (Apocalyptic Mdanna)
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas
photo 2015, Theo Noll
Choir window in the Tetzel Chapel
middle of the century 15. Jh. around 1510
Window 2b, Mary on the crescent moon, detail
photo 2015, Theo Noll
First row of windows:
Donor figure as a fragment of a lost composition. The woman formerly, and erroneously, identified as the donor is depicted as Mary before a lectern with a book. This shows the gesture of terror with her hands before the angelic apparition. The vase with the flower symbolizes Mary's purity. (Mid-15th century)
Second row of windows:
"Justification" image and Mary on the crescent moon. (Hardly before 1510, circle of Dürer)
Location: Nuremberg, St. Egidien, Tetzel Chapel, Choir Window I
Material: Glas