Representations of

Thirty-seven copperplate engravings of sights and remarkable things in the Holy Roman Imperial City of Nuremberg To be found there at Georg Peter Monath's 1777 (First published in 1728 by Peter Conrad Monath)

____ Plate XXIX (Work number 22)

____ The series of copperplate engravings published by Peter Conrad Monath, containing 36 views of Nuremberg and a title engraving, was likely created around or after 1728, as the Charles Bridge depicted here was only completed in that year. In addition to his own drawings, engravings by J. A. Delsenbach also served as models.

Representations of

Thirty-seven copperplate engravings of sights and remarkable things in the Holy Roman Imperial City of Nuremberg To be found there at Georg Peter Monath's 1777 (First published in 1728 by Peter Conrad Monath)

____ Plate XXIX (Work number 22)

____ The series of copperplate engravings published by Peter Conrad Monath, containing 36 views of Nuremberg and a title engraving, was likely created around or after 1728, as the Charles Bridge depicted here was only completed in that year. In addition to his own drawings, engravings by J. A. Delsenbach also served as models.

Representations of

Thirty-seven copperplate engravings of sights and remarkable things in the Holy Roman Imperial City of Nuremberg To be found there at Georg Peter Monath's 1777 (First published in 1728 by Peter Conrad Monath)

____ Plate XXIX (Work number 22)

____ The series of copperplate engravings published by Peter Conrad Monath, containing 36 views of Nuremberg and a title engraving, was likely created around or after 1728, as the Charles Bridge depicted here was only completed in that year. In addition to his own drawings, engravings by J. A. Delsenbach also served as models.

Representations of

Thirty-seven copperplate engravings of sights and remarkable things in the Holy Roman Imperial City of Nuremberg To be found there at Georg Peter Monath's 1777 (First published in 1728 by Peter Conrad Monath)

____ Plate XXIX (Work number 22)

____ The series of copperplate engravings published by Peter Conrad Monath, containing 36 views of Nuremberg and a title engraving, was likely created around or after 1728, as the Charles Bridge depicted here was only completed in that year. In addition to his own drawings, engravings by J. A. Delsenbach also served as models.

Representations of

Thirty-seven copperplate engravings of sights and remarkable things in the Holy Roman Imperial City of Nuremberg To be found there at Georg Peter Monath's 1777 (First published in 1728 by Peter Conrad Monath)

____ Plate XXIX (Work number 22)

____ The series of copperplate engravings published by Peter Conrad Monath, containing 36 views of Nuremberg and a title engraving, was likely created around or after 1728, as the Charles Bridge depicted here was only completed in that year. In addition to his own drawings, engravings by J. A. Delsenbach also served as models.

Representations of

Thirty-seven copperplate engravings of sights and remarkable things in the Holy Roman Imperial City of Nuremberg To be found there at Georg Peter Monath's 1777 (First published in 1728 by Peter Conrad Monath)

____ Plate XXIX (Work number 22)

____ The series of copperplate engravings published by Peter Conrad Monath, containing 36 views of Nuremberg and a title engraving, was likely created around or after 1728, as the Charles Bridge depicted here was only completed in that year. In addition to his own drawings, engravings by J. A. Delsenbach also served as models.

Representations of

Thirty-seven copperplate engravings of sights and remarkable things in the Holy Roman Imperial City of Nuremberg To be found there at Georg Peter Monath's 1777 (First published in 1728 by Peter Conrad Monath)

____ Plate XXIX (Work number 22)

____ The series of copperplate engravings published by Peter Conrad Monath, containing 36 views of Nuremberg and a title engraving, was likely created around or after 1728, as the Charles Bridge depicted here was only completed in that year. In addition to his own drawings, engravings by J. A. Delsenbach also served as models.