Courtyard of the Innsbruck Castle facing north
Courtyard of the Innsbruck Castle facing north
around 1495
Watercolor and opaque colors over faint pencil drawing, heightened with opaque white (in the roof) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3058
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 33.5 x 26.2 cm
photo
Courtyard of the Innsbruck Castle facing north
around 1495
Detailed view: on the far left the chancellery with stepped gable and bay window, in the back the tower of the Hofburg towards St. James' Church
Watercolor and opaque colors over faint pencil drawing, heightened with opaque white (in the roof) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3058
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 33.5 x 26.2 cm
photo
Courtyard of the Innsbruck Castle facing north
around 1495
Detail view with clouds
photo
Watercolor and opaque colors over faint pencil drawing, heightened with opaque white (in the roof) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3058
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Aquarell und Deckfarben auf Papier, 33,5 x 26,2 cm
Courtyard of the Innsbruck Castle facing north
around 1495
Frauenzimmerbau, built by King Maximilian I from around 1492 for Katharina, wife of Archduke Sigismund, on the right the so-called Paradeis, in the background the roof of the northeast corner tower of the Hofburg
Watercolor and opaque colors over faint pencil drawing, heightened with opaque white (in the roof) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3058
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 33.5 x 26.2 cm
photo
Courtyard of the Innsbruck Castle facing north
around 1495
Detailed view with tower roof and top with George statue of the five-sided tower
Watercolor and opaque colors over faint pencil drawing, heightened with opaque white (in the roof) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3058
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 33.5 x 26.2 cm
photo
Courtyard of the Innsbruck Castle facing north
around 1495
Detailed view of the eastern courtyard side with the hall building, the windows on the upper floor of the tower are barred
Watercolor and opaque colors over faint pencil drawing, heightened with opaque white (in the roof) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3058
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 33.5 x 26.2 cm
photo
Courtyard of the Innsbruck Castle facing north
around 1495
84 / 5.000 Detailed view of the western courtyard side
Watercolor and opaque colors over faint pencil drawing, heightened with opaque white (in the roof) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3058
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 33.5 x 26.2 cm
photo
Courtyard of the Innsbruck Castle facing north
around 1495
Detailed view: northern courtyard side with cross passage
Watercolor and opaque colors over faint pencil drawing, heightened with opaque white (in the roof) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3058
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 33.5 x 26.2 cm
photo
Courtyard of the Innsbruck Castle facing north
around 1495
Detailed view of the eastern courtyard side
Watercolor and opaque colors over faint pencil drawing, heightened with opaque white (in the roof) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3058
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 33.5 x 26.2 cm
photo
