Burghof in Innsbruck to the south
Burghof in Innsbruck to the south
around 1495
(looking south) Watercolor and opaque colors over faint, partially unfinished pen drawing (visible above the tower helmet on the left and to the left of the roof of the castle gate) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3057
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 36.8 x 26.9 cm
photo
Burghof in Innsbruck to the south
around 1495
Detailed view with helmet of the tower on the hall building on the east side of the castle courtyard, a coat of arms frieze under the eaves Symbol „Von der Community überprüft“
(looking south) Watercolor and opaque colors over faint, partially unfinished pen drawing (visible above the tower helmet on the left and to the left of the roof of the castle gate) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3057
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 36.8 x 26.9 cm
photo
Burghof in Innsbruck to the south
around 1495
Detailed view: southern side of the courtyard with gate tower, on the left the new building, on the right the office with stepped gable and bay window
(looking south) Watercolor and opaque colors over faint, partially unfinished pen drawing (visible above the tower helmet on the left and to the left of the roof of the castle gate) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3057
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 36.8 x 26.9 cm
photo
Burghof in Innsbruck to the south
around 1495
Detailed view with stepped gables above the south-west corner of the courtyard
(looking south) Watercolor and opaque colors over faint, partially unfinished pen drawing (visible above the tower helmet on the left and to the left of the roof of the castle gate) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3057
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 36.8 x 26.9 cm
photo
Burghof in Innsbruck to the south
around 1495
Detailed view of the eastern side of the courtyard
(looking south) Watercolor and opaque colors over faint, partially unfinished pen drawing (visible above the tower helmet on the left and to the left of the roof of the castle gate) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3057
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 36.8 x 26.9 cm
photo
Burghof in Innsbruck to the south
around 1495
Detailansicht der süd-östlichen Hofecke, links der Neue Bau
(looking south) Watercolor and opaque colors over faint, partially unfinished pen drawing (visible above the tower helmet on the left and to the left of the roof of the castle gate) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Wien, Albertina, Inventarnummer 3057
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 36.8 x 26.9 cm
photo
Burghof in Innsbruck to the south
around 1495
Detailed view of the southern side of the courtyard
(looking south) Watercolor and opaque colors over faint, partially unfinished pen drawing (visible above the tower helmet on the left and to the left of the roof of the castle gate) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3057
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 36.8 x 26.9 cm
photo
Burghof in Innsbruck to the south
around 1495
Artist's signature
(looking south) Watercolor and opaque colors over faint, partially unfinished pen drawing (visible above the tower helmet on the left and to the left of the roof of the castle gate) Lit: Nicole Riegel: Building blocks of a residence project. Emperor Maximilian I in Innsbruck, in: Herbert Karner, Ingrid Ciulisová and Bernardo J. García García (eds.): The Habsburgs and their Courts in Europe, 1400–1700: Between Cosmopolitism and Regionalism, Heidelberg: arthistoricum.net-ART-Books, 2018 (PALATIUM e-Publications, Volume 1), pp. 28-45. https://doi.org/10.11588/arthistoricum.86.81 Nicole Riegel: Between Pretention and Pragmatism. Maximilian I's construction work on the Innsbruck Hofburg, in: Marburger Jahrbuch für Kunstwissenschaft 45, 2018 (2019), pp. 107-138 Christof Metzger: Dürer, the observer, in: Christof Metzger (ed.): Albrecht Dürer, Munich/ London/ New York 2019, pp. 118-191, here pp. 120 and 126
Location: Vienna, Albertina, inventory number 3057
Design: Dürer, Albrecht
Realization: Dürer, Albrecht
Material: Watercolor and opaque colors on paper, 36.8 x 26.9 cm
photo
