1627 1630
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Photomontage: left, view of Johann Adam Delsenbach with photo addition of the main altar painting / right, present position of the main altar painting in the southern aisle
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
View of Johann Adam Delsenbach with van Dyck painting as main altar
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: private
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
scan 2016, Theo Noll
1627 1630
View of Johann Adam Delsenbach with van Dyck painting as main altar
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Seam of the two joined parts of the painting
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Preißler´s and van Dyck's part
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Addition of Johann Daniel Preißler with a cloud gloriole and angels
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Addition of Johann Daniel Preißler with a cloud gloriole and angels, detail view
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Addition of Johann Daniel Preißler with a cloud gloriole and angels, detail view
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Addition of Johann Daniel Preißler with a cloud gloriole and angels, detail view
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nürnberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Main scene of the Lamentation
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Detail with the body of Jesus
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Detail view with Mary and John
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Detail view, clearly recognizable the lower appendage
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
detail view with angels
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
Lower edge, detail view
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
1627 1630
lower edge of the picture, detailed view with the drawn crucifixion nails
A donation of Christoph VII Fürer von Haimendorf.
In 1718 the painting (from the workshop of the famous van Dyck) was used as an altar leaf for the Baroque high altar of the rebuilt Egidienkirche; at that time it was added to the sides by 7 cm and also in height and supplemented by Johann Daniel Preißler with a gloriole of clouds with angels.
Since 1959, the painting is located in the southern transept in a stucco frame.
see also: Church interior after Johann Adam Delsenbach
Location: Nuremberg, Egidienkirche
Design: Preißler, Johann Daniel, Dyck, Antoine van
Realization: Preißler, Johann Daniel, Dyck, Antoine van
Material: Oil on canvas
photo 2022, Theo Noll
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