1521
Right window, lower row
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
Site plan
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Theo Noll
1521
series of panes in a row
photo 2022, Theo Noll
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glas
1521
First window of the row
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
Upper half of the picture with angel
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
Coat of arms Pessler and Toppler
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
second window of the row / A coat of arms triple band under an opened tent shows above a frontally placed four-part coat of arms: in field 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of Peßler
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
upper half of the picture with tent roof
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
below coat of arms of Erhart Peßler and his wife Katharina née Melber.
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
third winddow of the row
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
upper half of the picture with angel
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
Coat of arms Melber and Pfinzing
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Pablo de la Riestra
1521
Site plan of the two window rows
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Nuremberg, Sebald Vicarage, Chörlein, window sII 1
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Theo Noll
1521
Windows of 1517 top, windows of 1521 bottom
Window sII 1 of the Sebalder Chörlein
The series of three panes follows in the design of the individual fields and their overall arrangement the series of 1517 ( window nII 1 of the Sebalder Chörlein ), but can have been created at the earliest in 1521, the year of the inauguration of the founder Georg Peßler. In addition, the painting technique reveals peculiarities that suggest an attribution to the youngest and most famous son of the workshop director, Augustin Hirsvogel.
A triple coat of arms under an opened tent shows a frontally placed four-part coat of arms at the top: in fields 1 and 4 Propstei St. Sebald, in 2 and 3 the coat of arms of the Peßler: This refers to Georg Peßler, the last provost of St. Sebald, who took over the office after the resignation of Pfinzing in 1521 and gave the council of the city in 1533. The individual coats of arms below stand for his parents, Erhart Peßler and his wife Katharina née Melber.
The two associated panes with the Melber/Pfinzing and Peßler/Topler armorial alliances in n III, 1a and n II 1 c refer to the provost's grandparents (on his mother's side Veit Melber and Katharina née Pfinzing; on his father's side Martin Peßler and Margarete née Topler).
Hartmut Scholz: Masterpieces of Stained Glass, St. Sebald in Nuremberg, Freiburg i. Br., 2007
Location: Lageplan der beiden Fensterreihen
Realization: Hirsvogel (Hirschvogel, Hirsfogel), Augustin
Material: Glass
photo 2022, Theo Noll
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