1622
Oblique general view
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Pablo de la Riestra
1622
frog's-eye view of the portal
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
General view, frontal
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Front view with door
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Entablature in oblique view: On the frieze from left to right: cornucopia, naked putti with garlands and front pomegranate, cartouche in the cent
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Pablo de la Riestra
1622
Corinthian capital
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Pablo de la Riestra
1622
Reclining putto
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Pablo de la Riestra
1622
left half of the frieze
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
left half of the frieze in oblique view
photo 2022, Pablo de la Riestra
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
1622
cartouche in the oblique view
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
cartouche, frontal view
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Cartouche, frontal, palmette face
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Putti heads heads in picture comparison
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
Location: City Church in Bayreuth and Wolff's Town Hall in Nuremberg
Design: Dümpel, Veit
Realization: Dümpel, Veit
Material: Wood
photo 2022, Theo Noll
1622
Cartouche, frontal, lower end with lion's mask
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Cartouche, frontal, lower end with lion mask
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Right half of entablature
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Right half of entablature, detail with putto and open pomegranate
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
left cranked beams
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
lion's head console above the Corinthian capital
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
capital ensemble
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
-Corinthian capital
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
lion's head console above the corin capital
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Crowning of the door center panel
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Crowning of the door center panel, winged mask of a mythical creature
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Pablo de la Riestra
1622
Crowning of the door center panel, winged mask of a mythical creature, oblique view
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Right entablature
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Capital ensemble
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Lion mask in front of the left pediment
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Lion mask in front of the left pediment
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Lower end of the door centerpiece with crying-screaming mask
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
crying-screaming mask
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
Lion mask in front of the right pedestal (side masks removed)
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Theo Noll
1622
illustration after old originals, etc. by Heinrich Wallraff in: Ernst Mummenhof, Das Rathaus in Nürnberg, Nuremberg 1891, p. 146)
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
scan 2022, Theo Noll
1622
right pediment
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Pablo de la Riestra, Theo Noll
1622
Right pedestal, marking of the removed mask
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Pablo de la Riestra, Theo Noll
1622
Lion mask in front of the right pedestal
In 1622, he worked together with the sculptor Hans Abbeck on a wooden portal, the so-called "Türgericht", which was originally located in the "Regimentsstube", later the wedding room; the council paid 300 fl. for it as well as 3 fl. and a thaler for the varnishing.
Today, the portal, which was removed during the war, is no longer installed in its original position as a false door.
Note the architectural structure: A fully developed Corinthian column stands on cranked pedestals, flanked by half-columns - supporting the entablature (architrave and frieze).
photo 2022, Pablo de la Riestra
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