Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben

Portal on the bridge from 1599; profiled with mask keystone and Corinthian half-column order (acanthus leaves in the spandrels), above it a bronze inscription plate with volutes and a stone sculpture of an ox renewed in 1951 (made by Emil Zentgraf) with a Latin distich inscription in Antiqua OMNIA HABENT ORTUS SUAQUE IN CREMENTA SED ECCE QUEM CERNIS NUNQUAM BOS FUIT HIC VITULUS. (Everything has its origin and beginning, but look, the ox that you see here was never a calf.) In the spandrel to the bridge parapet, there is a mighty volute and cartouche work with a fruit garland. (...) (Short inventory, The City of Nuremberg, ed. Michael Petzet and Tilmann Breuer, Munich 1977) In 1650, Johann Klaj wrote the following lines about the ox: I praise the ox here, who on the stone bridge press the head of the stone gate with his heavy back in life size; the cow runs to him and calls her husband with repeated mooing; The butcher himself cries out whether one of the herd has escaped him during the fight, as happened, his dog, who is chasing him, is barking. The traveler stands still, contemplating in his mind what the verse means: Everything here must be healed through growth, the ox that you see has never been a calf.Feedback geben