One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)

One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)

One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)

One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)

One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)

One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)

One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)

One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)

One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)

One of the four elaborately designed fireplaces in the front building, crafted for Martin Peller. 

Here featuring the coats of arms of Peller and Viatis, personifications of earth, air, and water, as well as Prometheus symbolizing fire (Four Elements Fireplace)
 ___________

Illustration of the graphic from: Nuremberg's Renaissance Monuments. Surveyed and edited by August Ortwein, Director of the Imperial and Royal Trade School in Graz. Reprint from the complete work "German Renaissance," edited with the collaboration of experts, Leipzig: E. A. Seemann Publishing House, 1878 
(Nuremberg, City Library, Amb. 729 / 2°)

 ________________________

The execution of the ornamentation suggests a familiarity with Wendel Dietterlin's book Architectura, printed in Nuremberg in 1598 (see also: ARCHITECTURA by Wendel Dietterlin) 

Architectura. 
On the Division, Symmetry, and Proportion of the Five Columns, and all subsequent artistic work, including windows, fireplaces, doorways, portals, fountains, and epitaphs. (...) Printed in Nuremberg by Hubrecht and Balthasar Caymox (See also: Balthasar Caymox) 1598 

____________________

"Hans Werner also seems to have enjoyed the special esteem of Martin Peller, since he was, along with the master builder Jakob Wolff the Elder, the carpenter Peter Carl, and the joiner Lorenz Bayr, one of the few who received a token of appreciation from Peller in 1609 in addition to his payment."

" (Ad 3 Jenner zaltt dem Jung maister hanssen steinmez verehrung 24.-.-. / StadtAN E 19 Nr. 20, fol. 46. Quoted from Dieter Büchner: Das „Schöne Zimmer“ aus dem Pellerhaus (Nürnberger Werkstücke 55), Nürnberg 1995)