1902
Oriel window facing Hefnersplatz, stonemason's figure as a corbel support (Atlantean)
"At the corner building at Karolinenstraße 57, below the ornate oriel window facing Färberstraße, is a meticulously crafted stonemason's figure, dated 1902 and signed 'I. Schiemer fecit'. It may be a self-portrait of the sculptor who also created the oriel window adorned with tracery and friezes."
Quoted from the Nuremberg Artists' Lexicon, edited by Manfred H. Grieb
Adam Kraft had already depicted himself with stonemason's tools in his self-portrait as a figure carrying the tabernacle in St. Lorenz Church.
The late Gothic tracery of the lower parapet of the oriel window was modeled on the dormer window at Winklerstraße 37, dating from 1482.
See also: Karolinenstraße 57
Location: Nuremberg, Karolinenstraße 57
Design: Schiemer, Johann Baptist
Realization: Schiemer, Johann Baptist
Depicted: Schiemer, Johann Baptist
photo 2021, Theo Noll
1902
Oriel window facing Hefnersplatz, stonemason's figure as a corbel support (Atlantean)
"At the corner building at Karolinenstraße 57, below the ornate oriel window facing Färberstraße, is a meticulously crafted stonemason's figure, dated 1902 and signed 'I. Schiemer fecit'. It may be a self-portrait of the sculptor who also created the oriel window adorned with tracery and friezes."
Quoted from the Nuremberg Artists' Lexicon, edited by Manfred H. Grieb
Adam Kraft had already depicted himself with stonemason's tools in his self-portrait as a figure carrying the tabernacle in St. Lorenz Church.
The late Gothic tracery of the lower parapet of the oriel window was modeled on the dormer window at Winklerstraße 37, dating from 1482.
See also: Karolinenstraße 57
Location: Nuremberg, Karolinenstraße 57
Design: Schiemer, Johann Baptist
Realization: Schiemer, Johann Baptist
Depicted: Schiemer, Johann Baptist
photo 2021, Theo Noll
1902
Oriel window facing Hefnersplatz, stonemason's figure as a corbel support (Atlantean)
"At the corner building at Karolinenstraße 57, below the ornate oriel window facing Färberstraße, is a meticulously crafted stonemason's figure, dated 1902 and signed 'I. Schiemer fecit'. It may be a self-portrait of the sculptor who also created the oriel window adorned with tracery and friezes."
Quoted from the Nuremberg Artists' Lexicon, edited by Manfred H. Grieb
Adam Kraft had already depicted himself with stonemason's tools in his self-portrait as a figure carrying the tabernacle in St. Lorenz Church.
The late Gothic tracery of the lower parapet of the oriel window was modeled on the dormer window at Winklerstraße 37, dating from 1482.
See also: Karolinenstraße 57
Location: Nuremberg, Karolinenstraße 57
Design: Schiemer, Johann Baptist
Realization: Schiemer, Johann Baptist
Depicted: Schiemer, Johann Baptist
photo 2021, Theo Noll
1902
Erker zum Hefnersplatz, Steinmetzfigur als Konsolenträger (Atlant)
"At the corner building at Karolinenstraße 57, below the ornate oriel window facing Färberstraße, is a meticulously crafted stonemason's figure, dated 1902 and signed 'I. Schiemer fecit'. It may be a self-portrait of the sculptor who also created the oriel window adorned with tracery and friezes."
Quoted from the Nuremberg Artists' Lexicon, edited by Manfred H. Grieb
Adam Kraft had already depicted himself with stonemason's tools in his self-portrait as a figure carrying the tabernacle in St. Lorenz Church.
The late Gothic tracery of the lower parapet of the oriel window was modeled on the dormer window at Winklerstraße 37, dating from 1482.
See also: Karolinenstraße 57
Location: Nürnberg, Karolinenstraße 57
Design: Schiemer, Johann Baptist
Realization: Schiemer, Johann Baptist
Depicted: Schiemer, Johann Baptist
photo 2021, Theo Noll
1902
Oriel window facing Hefnersplatz, stonemason's figure as a corbel support (Atlantean)
"At the corner building at Karolinenstraße 57, below the ornate oriel window facing Färberstraße, is a meticulously crafted stonemason's figure, dated 1902 and signed 'I. Schiemer fecit'. It may be a self-portrait of the sculptor who also created the oriel window adorned with tracery and friezes."
Quoted from the Nuremberg Artists' Lexicon, edited by Manfred H. Grieb
Adam Kraft had already depicted himself with stonemason's tools in his self-portrait as a figure carrying the tabernacle in St. Lorenz Church.
The late Gothic tracery of the lower parapet of the oriel window was modeled on the dormer window at Winklerstraße 37, dating from 1482.
See also: Karolinenstraße 57
Location: Nuremberg, Karolinenstraße 57
Design: Schiemer, Johann Baptist
Realization: Schiemer, Johann Baptist
Depicted: Schiemer, Johann Baptist
photo 2021, Theo Noll
1902
Image comparison with the double oriel window of the Old Court in Bamberg, from 1570, depicting Erasmus Braun
"At the corner building at Karolinenstraße 57, below the ornate oriel window facing Färberstraße, is a meticulously crafted stonemason's figure, dated 1902 and signed 'I. Schiemer fecit'. It may be a self-portrait of the sculptor who also created the oriel window adorned with tracery and friezes."
Quoted from the Nuremberg Artists' Lexicon, edited by Manfred H. Grieb
Adam Kraft had already depicted himself with stonemason's tools in his self-portrait as a figure carrying the tabernacle in St. Lorenz Church.
The late Gothic tracery of the lower parapet of the oriel window was modeled on the dormer window at Winklerstraße 37, dating from 1482.
See also: Karolinenstraße 57
Location: Bamberg, Old Court / Nuremberg, Karolinenstraße 57
Design: Schiemer, Johann Baptist
Realization: Schiemer, Johann Baptist
Depicted: Schiemer, Johann Baptist
photoPablo de la Riestra, Theo Noll
1902
Image comparison with the double oriel window of the Old Court in Bamberg, from 1570, depicting Erasmus Braun
"At the corner building at Karolinenstraße 57, below the ornate oriel window facing Färberstraße, is a meticulously crafted stonemason's figure, dated 1902 and signed 'I. Schiemer fecit'. It may be a self-portrait of the sculptor who also created the oriel window adorned with tracery and friezes."
Quoted from the Nuremberg Artists' Lexicon, edited by Manfred H. Grieb
Adam Kraft had already depicted himself with stonemason's tools in his self-portrait as a figure carrying the tabernacle in St. Lorenz Church.
The late Gothic tracery of the lower parapet of the oriel window was modeled on the dormer window at Winklerstraße 37, dating from 1482.
See also: Karolinenstraße 57
Location: Bamberg, Alte Hofhaltung / Nürnberg, Karolinenstraße 57
Design: Schiemer, Johann Baptist
Realization: Schiemer, Johann Baptist
Depicted: Schiemer, Johann Baptist
photo 2017, Pablo de la Riestra, Theo Noll
1902
Image comparison with the double oriel window of the Old Court in Bamberg, from 1570, depicting Erasmus Braun
"At the corner building at Karolinenstraße 57, below the ornate oriel window facing Färberstraße, is a meticulously crafted stonemason's figure, dated 1902 and signed 'I. Schiemer fecit'. It may be a self-portrait of the sculptor who also created the oriel window adorned with tracery and friezes."
Quoted from the Nuremberg Artists' Lexicon, edited by Manfred H. Grieb
Adam Kraft had already depicted himself with stonemason's tools in his self-portrait as a figure carrying the tabernacle in St. Lorenz Church.
The late Gothic tracery of the lower parapet of the oriel window was modeled on the dormer window at Winklerstraße 37, dating from 1482.
See also: Karolinenstraße 57
Location: Bamberg, Alte Hofhaltung / Nürnberg, Karolinenstraße 57
Design: Schiemer, Johann Baptist
Realization: Schiemer, Johann Baptist
Depicted: Schiemer, Johann Baptist
photo 2017, Pablo de la Riestra, Theo Noll
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