Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)

Master of the Wolfgang Altar (Valentin Wolgemut?) "In the 15th century, artists' workshops appeared in Nuremberg and the surrounding area to which personalities whose names are difficult to identify. The assignment of emergency names is therefore the rule rather than the exception. One of these artists has entered art history research through Thode as the "Master of the Wolfgang Altar". The foundation of the Wolfgang Altar in St. Lorenz (also called the Erhard Altar in some sources) along with the retable that gives it its name goes back to the Nuremberg citizen Konrad Kessler [...]. The benefice financed by Kessler was donated posthumously by his executors for the newly founded altar on May 2, 1455." Sarah Fetzer quoted from: "Michael Wolgemut / More than Dürer's teacher / Schnell & Steiner 2020 The founder Konrad Keßler died before July 21, 1453, on this day his executor, the bell founder Conrad Gnotzhamer, is named (Sigrid Thurm: Deutscher Glockenatlas, Vol. 3: Mittelfranken, Munich 1973, p. 89)