Window in the south transept of the monastery church of Brou The influence of Dürer's graphic works can be traced far and wide across Europe. The monastery church of Brou, already influenced by German art and built at the request of Margaret of Austria (as evidenced by the high-quality sculptures by Conrad Meit of Worms), is no exception when it comes to its stained glass windows. Dürer's Coronation and Assumption of the Virgin Mary from 1510 served as the inspiration for the main stained glass window of the Rochus Chapel in Nuremberg in 1522, and shortly thereafter in Brou. The French window shows the holy group above the portraits of Margaret and Philibert of Savoy. Pablo de la RiestraFeedback geben

Window in the south transept of the monastery church of Brou The influence of Dürer's graphic works can be traced far and wide across Europe. The monastery church of Brou, already influenced by German art and built at the request of Margaret of Austria (as evidenced by the high-quality sculptures by Conrad Meit of Worms), is no exception when it comes to its stained glass windows. Dürer's Coronation and Assumption of the Virgin Mary from 1510 served as the inspiration for the main stained glass window of the Rochus Chapel in Nuremberg in 1522, and shortly thereafter in Brou. The French window shows the holy group above the portraits of Margaret and Philibert of Savoy. Pablo de la RiestraFeedback geben

Window in the south transept of the monastery church of Brou The influence of Dürer's graphic works can be traced far and wide across Europe. The monastery church of Brou, already influenced by German art and built at the request of Margaret of Austria (as evidenced by the high-quality sculptures by Conrad Meit of Worms), is no exception when it comes to its stained glass windows. Dürer's Coronation and Assumption of the Virgin Mary from 1510 served as the inspiration for the main stained glass window of the Rochus Chapel in Nuremberg in 1522, and shortly thereafter in Brou. The French window shows the holy group above the portraits of Margaret and Philibert of Savoy. Pablo de la RiestraFeedback geben

Window in the south transept of the monastery church of Brou The influence of Dürer's graphic works can be traced far and wide across Europe. The monastery church of Brou, already influenced by German art and built at the request of Margaret of Austria (as evidenced by the high-quality sculptures by Conrad Meit of Worms), is no exception when it comes to its stained glass windows. Dürer's Coronation and Assumption of the Virgin Mary from 1510 served as the inspiration for the main stained glass window of the Rochus Chapel in Nuremberg in 1522, and shortly thereafter in Brou. The French window shows the holy group above the portraits of Margaret and Philibert of Savoy. Pablo de la RiestraFeedback geben

Window in the south transept of the monastery church of Brou The influence of Dürer's graphic works can be traced far and wide across Europe. The monastery church of Brou, already influenced by German art and built at the request of Margaret of Austria (as evidenced by the high-quality sculptures by Conrad Meit of Worms), is no exception when it comes to its stained glass windows. Dürer's Coronation and Assumption of the Virgin Mary from 1510 served as the inspiration for the main stained glass window of the Rochus Chapel in Nuremberg in 1522, and shortly thereafter in Brou. The French window shows the holy group above the portraits of Margaret and Philibert of Savoy. Pablo de la RiestraFeedback geben