Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20

Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20

Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20

Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20

Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20

Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20

Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20

Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20

Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20

Anonymous The glass goblet features a frosted glass panorama of Nuremberg. Besides the city wall, the two main churches, and the castle, other buildings such as the town hall and St. Giles' Church are clearly recognizable by their position and design. Since St. Giles' Church already has Baroque spires, the glass engraving could not have been created before 1711, the year the reconstruction of the church, which had burned down in 1696, was completed. Literature: The Wide View: Nuremberg Panoramas from Seven Centuries. Exhibition catalog of the Nuremberg City Art Collections, p. 67, cat. no. 20